Senin, 25 September 2017

Ebook , by Alexander Wright

Ebook , by Alexander Wright

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, by Alexander Wright

, by Alexander Wright


, by Alexander Wright


Ebook , by Alexander Wright

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, by Alexander Wright

Product details

File Size: 1819 KB

Print Length: 24 pages

Simultaneous Device Usage: Unlimited

Publication Date: April 11, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01E6B9II8

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Amazon Best Sellers Rank:

#159,189 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book is really exceptional an effective than other books on this topic. I am an amateur musician and I purchased this book for knowing about the basic of song writing. The author describes all the necessary tips in details. After reading this book I have just completed my incomplete song and it’s true. It is really unbelievable. Grab you copy and get the benefits from it. Thanks Wright.

This is one of the best beginner songwriting books it gets to the point on how to write a song and how to use your lyrics to move a song along I wish this would have been my first book I would have saved a lot of money this book explain it so well .

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Got hosed - aprox 9 page leaflet! Should have came with lube !

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Minggu, 24 September 2017

Ebook Download Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)

Ebook Download Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)

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Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)

Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)


Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)


Ebook Download Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)

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Caesar: Selections from his Commentarii De Bello Gallico (English and Latin Edition)

Review

The De Bello Gallico of Julius Caesar has been a staple of second-year Latin programmes for many centuries. This work, however, is far too long to be covered entirely in one course, and it has always been the task of the professor to determine which books and chapters of the Gallic Wars were to be surveyed. The recent decision to set a syllabus for De Bello Gallico in the Advanced Placement Latin literature course has simplified this task immensely. This new students' edition of De Bello Gallico, prepared by Hans-Friedrich Mueller, has been issued to address the new AP syllabus.It is a pleasure to say that Mueller succeeds admirably in this. The presentation of the text has been done according to the pattern of Clyde Pharr's classic edition of the Aeneid: the Latin text with vocabulary and notes on each page. Words in the text that the student has met previously are in italic font; the remainder of the words are to be found in the following vocabulary. There are also copious notes on a variety of subjects: linguistic, stylistic, military, and cultural. Furthermore, in addition to a complete glossary of the words found in De Bello Gallico, there is also a fold-out vocabulary sheet listing high-frequency vocabulary (which would be those words in italic font). This will prove quite worthwhile for the student who is reading along in the text, so that one will not lose his or her place in the text by having to stop and refer to the glossary or to a dictionary. This work includes, along with the Latin text, English translations of all chapters not presented in the original Latin; this, too, meets the requirements of the new AP Syllabus.There is a very useful appendix containing the grammatical and rhetorical features used by Caesar in De Bello Gallico. This appendix supplements the references to these literary figures that are found in the various footnotes, and helps the student begin to understand the nature of Latin style. Finally, there is a quite complete and highly appropriate introduction containing biographical and literary information about Julius Caesar and his motivations for writing. There is, as well, an informative discussion of the nature and organisation of the Roman army. This helps to clarify for the student the nature and the importance of that institution.Overall, one cannot recommend this text too highly. It should easily become the essential textbook for second year Latin. It will also be of use at the college level, and be useful for any and all interested amateurs. --Stephen Pearce, Benjamin Franklin High School, New OrleansWritten by Hans-Friedrich Mueller and edited by Donald Sprague,Caesar: Selections from his Commentarii De Bello Gallico is a 414-page compendium presenting unadapted Latin passages from the Commentarii De Bello Gallico: Book 1.1 7; Book 4.24 35 and the first sentence of Chapter 36; Book 5.24 48; Book 6.13 20 and the English of Books 1, 6, and 7. Caesar: Selections from his Commentarii De Bello Gallico includes all the required English and Latin selections from Caesar's De Bello Gallico for the 2012-2013 AP* Curriculum. Features: Introduction includes historical context, an overview of the Roman army, and Caesar as General, Politician, and Writer Latin text accompanied by same-page notes (grammatical, literary, historical, contextual) Of special note is the 'same-page' running vocabulary, the 'pull-out' vocabulary, and the complete Latin-English glossary. Enhanced with the inclusion of an online grammatical appendix, a select bibliography, eight newly-created maps, 19 black-and-white illustrations, and an appendix (Figures of Speech), Caesar Selections from his Commentarii De Bello Gallico is an ideal, 'student friendly' text book and curriculum supplement for personal and academic library Latin Language Studies reference collections and instructional reading lists. --James A. Cox, Editor-in-Chief, Midwest Book Review

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About the Author

Hans-Friedrich Mueller, PhD, a.k.a. Molinarius, serves as the William D. Williams Professor and Chair of Classics at Union College in Schenectady, New York. He is a recipient of the American Philological Association's Award for Excellence in the Teaching of Classics as well as two awards for excellence in teaching at Florida State University. He developed a graduate distance program in classics for high school teachers and was himself a high school Latin teacher for six years. Mueller is the author of Roman Religion in Valerius Maximus (Routledge, 2002), the editor of an abridgment of Gibbon's Decline and Fall of the Roman Empire (Modern Library, 2003), and the translator of Mehl's Roman Historiography (Wiley-Blackwell, 2011). Molinarius's high school teaching experience (combined with insights gained from four school-age daughters) has served him well as author of this text and as co-author (with Rose Williams) of Caesar: A LEGAMUS Transitional Reader (Bolchazy-Carducci, 2012).

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Product details

Hardcover: 414 pages

Publisher: Bolchazy-Carducci Publishers; First edition (March 19, 2012)

Language: English, Latin

ISBN-10: 0865167788

ISBN-13: 978-0865167780

Product Dimensions:

6.2 x 1.2 x 9 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#638,979 in Books (See Top 100 in Books)

I found the text exactly as described. It will be perfect for students preparing for the Latin AP test. Text has good notes, excellent explanatory and historical information, and a comprehensive vocabulary. I anticipate AP preparation will go exactly as planned.

item was purchased for one of our schools

Amazing!

excellent, new condition

Very pleased. Great transaction.

Arrived quickly and just a little highlighting in book.

I received a note with the book. It's very sweet for the buyer to write that.

Required for class

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Kamis, 14 September 2017

Ebook Cleopatra: A Life, by Stacy Schiff

Ebook Cleopatra: A Life, by Stacy Schiff

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Cleopatra: A Life, by Stacy Schiff

Cleopatra: A Life, by Stacy Schiff


Cleopatra: A Life, by Stacy Schiff


Ebook Cleopatra: A Life, by Stacy Schiff

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Cleopatra: A Life, by Stacy Schiff

Review

"Stacy Schiff has managed to create a masterpiece."―Michael Korda, The Daily Beast"[Schiff] writes against the fabulous grain...There are countless books about Cleopatra, but this one, I suspect, would have been one of her favorites."―Laura Miller, Salon.com"Captivating...Ms. Schiff strips away the accretions of myth that have built up around the Egyptian queen and plucks off the imaginative embroiderings of Shakespeare, Shaw and Elizabeth Taylor. In doing so, she gives us a cinematic portrait of a historical figure far more complex and compelling than any fictional creation, and a wide, panning, panoramic picture of her world."―Michiko Kakutani, The New York Times"A swift, sympathetic life of one of history's most maligned and legendary women."―Kirkus"[A] dazzling, meticulous biography."―Caryn James, More"Schiff excavates truth from myth with vivid eloquence, taking us back to a life in a time and place that was both 'an orgy of pillage and murder' and 'the Paris of the ancient world.'"―Natasha Clark, Elle"Hugely compelling...Schiff sifts through gauzy mythology to uncover a brilliant young woman."―Vogue "[An] excellent, myth-busting biography....No one will think of Cleopatra in quite the same way after reading this vivid, provocative book."―Washington Examiner

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About the Author

Stacy Schiff is the author of Véra (Mrs. Vladimir Nabokov), winner of the Pulitzer Prize; Saint-Exupéry, a Pulitzer Prize finalist; A Great Improvisation: Franklin, France, and the Birth of America, winner of the George Washington Book Prize and the Ambassador Book Award; Cleopatra: A Life, winner of the PEN/Jacqueline Bograd Weld Award for biography; and most recently, The Witches: Salem, 1692. Schiff has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Academy of Arts and Letters, and the Center for Scholars and Writers at the New York Public Library. A member of the American Academy of Arts and Letters and named a Chevalier des Arts et Lettres by the French Government, she lives in New York City.

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Product details

Paperback: 432 pages

Publisher: Back Bay Books; Reprint edition (September 6, 2011)

Language: English

ISBN-10: 0316001945

ISBN-13: 978-0316001946

Product Dimensions:

5.5 x 1.2 x 8.2 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

812 customer reviews

Amazon Best Sellers Rank:

#28,645 in Books (See Top 100 in Books)

Award winning author Stacy Schiff likes to take the path less traveled; she never wants to write the same book twice which means she journeys far and wide in terms of the subjects for her biographies. CLEOPATRA: A LIFE allows Schiff to dig into the world of antiquity and she gathers the best known facts about Cleopatra dismissing the fiction wherever possible although she'd admit that it's hard to separate sensationalism of the time, myth and fact about one of the best known and most wealthy women of the known world.Schiff mixes biography, history and gathers from contemporary reports as well as historians over the years trying to sort out that fact from the fiction and opinion of the time.Schiff's book is more a collison of history and biography because so little is known about Cleopatra from contemporary sources. The author provides us with the context of history to understand Cleopatra's role as the last great Queen of Egypt and what her allure would have been to Caesar and Marc Antony the two Romans that became both allies and lovers.I'll admit that I'm not an expert on this period nor about Cleopatra herself but did take a number of classics classes in college and have continued to read up on the subject over the years. From that perspective, I found Schiff's book to be informative, entertaining to read and occasionally enlightening with new facts that I had either forgotten or missed in the my past reading. She also debunks a number of myths that grown around Cleopatra over the years through (such as the fact that she committed suicide by the bite of an asp).We really don't know what Cleopatra looks like (aside from her profile on coins and statues that might possibly be her but as with many portraits from that time there's a very good chance they are incorrect)from the time which may not be a "true" portrait of her)some of the things we do know is that she was of Greek descent. There's nothing beyond a single line that was written by her that survives. Heck, she wasn't the FIRST Cleopatra but the seventh. She's a fascinating figure because she demonstrated the intelligence, wit and style that fascinated the known world of the time AND captivated both Ceasar and Antony. Schiff paints a vivid portrait of Cleopatra giving us context as well--there's plenty of history here about her family and the assassinations that would keep people like her in power.Schiff digs in deep pulling from a variety of sources going back to those who were contemporaries of Cleoopatra (such as Cicero who didn't care for her)Strabo as well as Appian, Dio, Plutarch sifting through their opinions, the bias of many historians and more contemporary scholars as well. As Schiff points out this is her work so any mistakes are strictly hers as are some of the observations and opinions she brings up about Cleopatra based on her research.I did expect her style to be a bit more breezy in nature but it is difficult to accomplish that with such a complex subject and, to her credit, Schiff accomplishes it most of the time although occasionally the book gets sidetracked as part of the author's attempt to document everything fully.Schiff's book is well written and, like her other biographies, well sourced (and footnoted)giving us a taste of the world of her subject and the challenges she faced from Rome and her own family. Recommended.

Ms. Schiff is an excellent historian, and a formidable talent as a writer. But, nonetheless, I found her a plodding story teller. The book is loaded with facts and insight into the period's events and numerous characters; but her writing often meanders into arcane, entwined language. She seems to have no sense of grammar, or paragraphing. Once on a thought line she can roll on over several pages, without taking a breath....or allowing the reader to do so. I suggest a good third of this book can be severely reduced, or completely eliminated, by any proficient editor. This book is not a smooth read.....it requires work and commitment. Having said that...............this book is loaded with deeper human insight into why this passage of history unfolded as it did. The reader easily becomes enamored to Cleopatra, and Anthony. Plus, the events of this period are wonderfully presented (the intrigue, the battles, the politics, the loves, the hatreds) as the saga of the Roman civil war period plays out.........for both serious students or the more casually motivated. It is said that a sculptor sees his final piece hidden within the block of marble he confronts on day one of a project as he then goes about removing the excess.........such is this book. Ms. Schiff's work would be an excellent basis to extract a crisp screen play.........HBO's Rome possibly?

The Cleopatra most of us know is a fictional creation. The story we know comes mainly from the early first century Roman writers Plutarch and Dio. According to author Stacy Schiff, that’s like reading a history of twentieth-century America written by Chairman Mao. In short, our image of Cleopatra is “the joint creation of Roman propagandists and Hollywood directors.” Schiff’s primary point is that “If the name is indelible, the image is blurry.”Her real story, as told by Schiff, is every bit as fascinating as that told by Shakespeare. Cleopatra descended “from a line of rancorous, meddlesome, shrewd, occasionally unhinged Macedonian queens,” Schiff writes and would prove to be a true daughter of her ancestors. Her name, which translates to “Glory of her Fatherland,” is fitting. Born in 69 BC, the second of three daughters in a family known for eagerly liquidating siblings, she would prove to be both the strongest and shrewdest of the brood. She may not have been as traditionally beautiful as legend would have it, but she was certainly sagacious, sophisticated, and well-educated, speaking as many as seven languages fluently, including native Egyptian, the only Ptolemaic monarch to learn the local dialect.From the Roman point of view, Egypt was a tricky subject. The richest, most agriculturally productive region in the ancient world, Egypt was, according to the classicist Ronald Syme, ”a loss if destroyed, a risk to annex, a problem to govern.” Julius Caesar arrived on Egyptian shores in 48 BC in hot pursuit of Pompey, his chief rival in the Roman Civil War, who had just been slain at Pelusium by Ptolemy XIII, a deed for which Dante would place the Egyptian king in the ninth circle of hell next to Cain and Judas. Like others who came before and after him, Caesar was entranced by the grandeur of Alexandria, “the Paris of the ancient world,” in Schiff’s romantic language, the most cultured, the most beautiful, the most refined city ever known to man. Caesar found the young Cleopatra equally intoxicating. He would make her queen – and pregnant.Caesar brought Cleopatra back from Alexandria to Rome, which Schiff likens to “sailing from the court of Versailles to eighteenth century Philadelphia.” He also brought back with him other marvelous creations of Egypt, such as the 12-month calendar, the 24-hour day, and a large public library. “It was difficult for anyone to come into contact with Ptolemaic Egypt and not contract a case of extravagance.” Indeed, one might argue, as Schiff does, that “Cleopatra properly qualifies as the founder of the Roman Empire,” because, as Lucan wrote a century after Caesar’s death, “she aroused his greed.”Cleopatra was a 26-year-old mother of Caesar’s only male child, Caesarian, living comfortably at Caesar’s villa outside of Rome when he was assassinated on the Ides of March. She was blindsided by events and would never again set foot in Rome. She would eventually fall for Mark Antony, Caesar’s most trusted lieutenant, a man “given to good living, great parties, bad women,” a brilliant cavalry officer who possessed all of Caesar’s charm but none of his self-control. Cleopatra needed Mark Antony. Octavian, the inheritor of the mantle of Caesar, was “a walking, plotting insult to her son,” Caesarian. Mark Antony’s obsession with conquering Parthia proved to be a blessing for her as only the wealth of Egypt could underwrite such an expensive campaign.Cleopatra and Mark Antony met at Tarsus in 41 BC. Her effect on the Roman general was “immediate and electrifying,” according to Schiff. The queen engaged in “a take-no-prisoners school of seduction.” The author claims that Tarsus was a rare instance when the life and legend of Cleopatra completely overlap. She brought Mark Antony back to Alexandra where he “swallowed the whole Greek culture in one gulp.” The “barrel-chested, thick-thighed Roman” fell in love with Alexandria, “a city of raspberry dawns and pearly late afternoons, with the hustle of heterodoxy and the aroma of opportunity thick in the air.” Cleopatra bore him twins in 39 BC, Alexander Helios and Cleopatra Selene; but more importantly for the stability of the Mediterranean world, Mark Antony married Octavian’s sister, a marriage alliance not unlike Pompey’s to Caesar’s daughter, Julia, in 59 BC, a union that offered a half-decade respite to internecine strife in Rome.Mark Antony’s long-awaited Parthian campaign was a failure; perhaps not on the scale of the disaster that befell Crassus in 53 BC, but bad enough that he lost 24,000 men (a full third of his army) and recorded no noteworthy victories in 18 modest battles. Meanwhile, Octavian had been piling up successes (e.g. he had crushed Sextus Pompey and kicked fellow triumvir Lepidus to the curb). Schiff writes that Antony was despondent, nearly suicidal. It was Cleopatra’s “blue ribbon rendition of the lovesick female” that rallied him. In the so-called “Donations of Alexandria” in 34 BC, Antony distributed the Roman Empire in the east to their children, who were part Roman and part Egyptian gods. The view from Rome, Schiff says, was that the Donations were “an empty gesture, a farcical overreaching by two slightly demented, power-drunk dissolutes.”In 32 BC Mark Antony divorced Octavia. The pretext for the final showdown had finally arrived. Antony was, in Octavian’s opinion, “irredeemably contaminated by the Oriental languor and the un-Roman luxuries of the East.” He relished the stories of how Antony fawned over Cleopatra like a eunuch, giving her foot rubs in public, among other embarrassing acts of servitude. With the (dubious) claim that Cleopatra was “poised to conquer [Rome] as she had conquered Antony,” the Senate declared war on Egypt in October 32 BC and then voted to deprive Antony of his consulship and relieve him of all Roman authority.“The experience, the popularity, the numbers, were all on Antony’s side,” Schiff writes, “he was the skilled commander behind whom stood the most powerful dynasties of the East” and the vast riches of Egypt with its determined queen who could not co-exist with Octavian so long as her son, Caesarian, lived. Indeed, “Antony could not win a war without [Cleopatra]. Octavian could not wage one.” The culminating battle of Actium in early September 31 BC was as decisive as it was anticlimactic. Octavian had eroded Antony’s superior land force over the course of the summer by maintaining a close blockade. Cleopatra and Antony shamefully abandoned their army and fled to Egypt.The two lovers were cornered. Antony’s army disintegrated. Whole legions defected, as did allied kings. The raucous “Inimitable Livers” of Alexandria, as Antony and Cleopatra once playfully called their retinue, changed their club name to “Companion’s to the Death.” Antony was 53-years-old, Cleopatra 38. Their end was so theatrically dramatic that Shakespeare hardly had to change a thing. When Cleopatra had her death falsely reported to Antony, he fell on his sword in inconsolable grief. He lived long enough to learn that the queen was actually still alive and breath his last breathe in her arms. Nine days later Cleopatra took her own life in turn, most likely by poison, Schiff says. “Cleopatra’s asp is the cherry tree of ancient history”: Schiff claims that there is no way a single snake could have killed the queen and her two faithful attendants, Iras and Charmion, so quickly and peacefully. “A fourth casualty of August 10, 30 BC may well have been the truth,” she writes. One thing was for certain: Cleopatra would never be the crown jewel in Octavian’s fabulous triumph parade back in Rome, where the enormity of the Egyptian riches quickly led to massive inflation and a tripling of interest rates.Schiff wants us to appreciate Cleopatra for who she truly was – and for good reason. For far too long the great queen has been a caricature, completely misrepresented, unfairly maligned, and largely misinterpreted. “It has always been preferable to attribute a woman’s success to her beauty rather than her brains,” Schiff writes, “to reduce her to the sum of her sex life.” Clearly, Cleopatra was much more than a celebrated lover. Nevertheless, Schiff bemoans, “we will remember that Cleopatra slept with Julius Caesar and Mark Antony long after we have forgotten what she accomplished in doing so, that she sustained a vast, rich, densely populated empire in its troubled twilight, in the name of a proud and cultivated dynasty.” That she was “a remarkably capable queen, canny and opportunistic in the extreme, a strategist of the first rank.”Like every other book by Stacy Schiff that I’ve read, this one comes highly recommended. It is that rare book that both layman and experts will find satisfying.

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Print Length: 132 pages

Publication Date: March 15, 2019

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Language: English

ASIN: B07PMWHTCZ

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