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The Emily Dickinson Reader: An English-to-English Translation of Emily Dickinson's Complete Poems, by Paul Legault
Get Free Ebook The Emily Dickinson Reader: An English-to-English Translation of Emily Dickinson's Complete Poems, by Paul Legault
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Review
"You know the kind of joke that's super-hilarious but also points in some genius way to the whole thing of the universe? Like that."Daniel Handler"If Emily Dickinson had a Tumblr, these witty one-liners are what she'd be posting...You'll want to not only display this one on your coffee table, but also read it from start to finish."Marie Claire"Let us agree that Legault’s version cannot, and is not meant to, rephrase Dickinson’s original, but rather seeks to recreate the spirit of the poem in a style and length that speak to today’s readers (who tweet and text while reading multiple books on a single flickering screen)."The Millions"There are so many ways into and out of this book. If you want to put it on your coffee table and pick it up at random to have a good laugh, then that’s fine, but you can also read it all the way through (as I did), letting yourself be pulled between diverse ways of reading...n the end, through this structure of repetition, Legault’s Dickinson emerges just as bold, queer, crass, hungry, sexual, demanding, and repetitive as I always knew she was."Los Angeles Review of Books"A valuable contribution to the field of radical translation. "Lambda Literary Review"Sheer genius that begs to be recited aloud."Daily Candy
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Product details
Hardcover: 248 pages
Publisher: McSweeney's (August 14, 2012)
Language: English
ISBN-10: 1936365987
ISBN-13: 978-1936365982
Product Dimensions:
5.2 x 1 x 7.2 inches
Shipping Weight: 12 ounces
Average Customer Review:
2.8 out of 5 stars
16 customer reviews
Amazon Best Sellers Rank:
#1,139,236 in Books (See Top 100 in Books)
Paul Legault has attempted either a herculean or foolish task—depending on your point of view—of reducing all 1,789 poems of the great Emily Dickinson to a sentence or two. (Of course most of her poems are around eight lines anyway so it’s not as if he were trying to reduce Tennyson’s “In Memoriam†to one sentence.)I looked up what Mr. Legault calls translations of three of my favorite Dickinson poems and have written the first stanzas of each of them and the author’s words as well. Anyone who reads my little review can draw his/her own conclusion.The Bustle in a HouseThe Morning after DeathIs solemnest of industriesEnacted upon Earth –(I hate cleaning. Especially right after someone I love just died.)I’m Nobody! Who are you?Are you – Nobody – too!Then there’s a pair of us!Don’t tell! They’d advertise – you know!(I’m so insignificant that I don’t even exist. I’m so insignificant that I don’t even want to exist. I don’t even want people to know that I don’t exist. The way frogs exist. And no one cares about them. The way they’re arrogant the way they exist. I hate frogs.)If you were coming in the Fall,I’d brush the summer byWith half a smile, and half a spurnAs House wives do, a fly (Dear Sir, Sometimes I miss you. Let me know if you’re going to visit me so I know whether I should kill myself or not.)Mr. Legault also intersperses the same portrait of Miss Dickinson (I would never address her as Ms.) that we all recognize throughout the book with different captions. Here is one of them: “Dickinson, simultaneously aroused and disgusted by the thought of sex.†I rest my case.A word about the book’s appearance: it is very attractive with gold-edged pages and a cloth bookmark. And the author should get credit for reading all of Miss Dickinson’s poetry—what a delight that must have been. I’m sticking, however, with the original poetry.
This has nothing to do with Emily Dickinson. It is someone's sick and loose interpretation of her works.
I really enjoyed reading this along side of Dickinson's poems...anyone who enjoys her poems will enjoy this book...just a fun read.
Occasional misfires in the extreme, when Legault's aim is to "interpret" Emily Dickinson's poems. But, I'm glad I bought this book. Yay! for the author for treading, treading into Dickinson territory because the inviolable is the best material for humor.
This collection fails in so many ways, it doesn't merit review at all. If it weren't for the fact that it might mislead people into purchasing it, I wouldn't have bothered.To say, as the subtitle suggests, that it is "An English-to-English Translation of Emily Dickinson's Complete Poems" could hardly be further from the truth. Most of the one to two line quips (and to call them that is a stretch) have only a faint reference to something in the original but by no means capture anything of substance from the Dickinson poem.The back cover states "Everything is still there -- flowers, New England, God, Bobolinks, the high mortality rate of the nineteenth century, sexual obsession -- though written out in 'plain speech' ...". Really. What the author doesn't state is that there is very little of those things. What there is in abundance [and somehow I missed those in the original Emily Dickinson poems] are over 100 references to Big Foot, robots, Sigmund Freud, wizards, time machines, and zombies. There are 75 zombie "poems" alone. Is this the author's "attempt to rewrite her poems (with their foreign beauty intact) in 'Standard English.'"?The book is in fact not an "Emily Dickinson Reader" but, as one reviewer stated, a "vanity project" -- and a juvenile one at that. Legault is not Emily Dickinson's "humble translator" but rather an egocentric amateur.I would have far less criticism if the author were more honest. If the collection had been presented as a spoof on Emily Dickinson's poems, fine. If he had promoted his own zombitic twist to her poetry, I would have had different expectations. Even so, as another reviewer stated: "This is a joke that would be funny once, maybe twice, but stretching it out into an entire book is kind of overkill..."Though the author seems to have a working knowledge of Emily Dickinson, it doesn't appear as though he gave her poems a very careful read. In fact, the entire collection appears to have been whipped out in a matter of days.For some people Emily Dickinson is sacred and her poems should not be touched. I do not fall into that camp. Many people are a bit intimidated by her poetry. The language certainly can do that alone, but the complexity and bold experimentation -- the sheer genius of her poetry can challenge even the most devoted student. Any attempt to simplify an Emily Dickinson poem will lose something, yet if it remains inaccessible even more may be lost.If Legault sincerely wished to provide an "English version of what she meant." he should have tried harder, much harder. A book that comes closer to that end is haiku Emily! (2011) by Everett Decker.haiku Emily! At least there, some attempt is made at preserving something of the original while making it more accessible. A comparison of the three will illustrate my point:[Franklin numbering used]FR10Garlands for Queens, may be -Laurels - for rare degreeOf soul or sword -Ah - but remembering me -Ah - but remembering thee -Nature in chivalry -Nature in charity -Nature in equity -The Rose ordained!hE! 0010the laurel's for distinguished fewand garland's for the Queenthe rest will have to just make dowith roses shared betweenTEDR10I could probably only be queen in a completelyimaginary state. Otherwise, I don't think the country woulddo so well culturally or economically, because I wouldprobably appoint plants, specifically roses, into key politicaland religious offices.FR86For every Bird a Nest --Wherefore in timid questSome little Wren goes seeking round --Wherefore when boughs are free --Households in every tree --Pilgrim be found?Perhaps a home too high --Ah Aristocracy!The little Wren desires --Perhaps of twig so fine --Of twine e'en superfine,Her pride aspires --The Lark is not ashamedTo build upon the groundHer modest house --Yet who of all the throngDancing around the sunDoes so rejoice?hE! 0086the wren must have the finest nestthe lark a modest home is bestand though the latter makes less lofty choicesevery morning she rejoicesTEDR86We should behave more like birds.Chirp. Chirp, chirp.FR160To hang our head -- ostensibly --And subsequent, to findThat such was not the postureOf our immortal mind --Affords the sly presumptionThat in so dense a fuzz --You -- too -- take Cobweb attitudesUpon a plane of Gauze!hE! 0160not for prayingwe both hang our headsbut for lyingTEDR160Don't look so glum. People might think you're pessimistic.FR193"Speech" -- is a prank of Parliament --"Tears" -- is a trick of the nerve --But the Heart with the heaviest freight on --Doesn't -- always -- move --hE! 0193ears deceived by what they heareyes by what they seethe heart with all that extra weightnot moved so easilyTEDR193Sometimes when I am sad I stay completely still.FR505They have a little Odor -- that to meIs metre -- nay -- 'tis melody --And spiciest at fading -- indicate --A Habit -- of a Laureate --hE! 0505they have a heartbeatto me is rhythm -- no is poetrystrongest just before you fallinto the space they leaveTEDR505These flowers smell like a metaphor for something.FR566But little Carmine hath her face --Of Emerald scant -- her Gown --Her Beauty -- is the love she doth --Itself -- exhibit -- Mine --hE! 0566not her makeupthat makes her beautifulbut her makeupTEDR566My friend Carmine has a beautiful green face.FR609A Night -- there lay the Days between --The Day that was Before --And Day that was Behind -- were one --And now -- 'twas Night -- was here --Slow -- Night -- that must be watched away --As Grains upon a shore --Too imperceptible to note --Till it be night -- no more --hE! 0609Night --the long stretches betweenwhen it's notTEDR609It is hard to distinguish night from day at the momentof their intersection.FR1402His Heart was darker than the starless nightFor that there is a mornBut in this black ReceptacleCan be no Bode of DawnhE! 1402the deepest hurt will see a dawnthe shallowest grave - noneTEDR1402Zombies are usually pretty emo.The only part I found truly humorous was the cover.As far as the rest of it, as another reviewer commented: "It has been a few years since Legault's last collection. He still has nothing to say."
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